El amor y la muerte
Granados - From Goyescas - El amor y la muerte (Love and death) & El Pelele
Albéniz - Iberia Suite book 1
Mompou - 12 Variations sur un thème de Chopin
It is so sad to know how short some composers’ lives were and to think of what might have been written had they lived longer. Granados was a case in point as he was drowned aboard the Sussex in the English Channel in 1916. His music is full of melody and feeling and as C. Jean Aubry put it “He created themes with the long-lasting character of folk-tunes – without borrowing them from folk music” His set of piano pieces inspired by Goya’s paintings, resulting in the title Goyescas is probably best known among his piano works and deservedly so. How wonderful it would be to look at the paintings while listening to the music!
Albeniz was another composer whose life was cut short far too early by Bright’s disease, a chronic liver disease suffered also by people such as Alexander III of Russia, Isambard Kingdom Brunel and Bram Stoker. He was a child prodigy and had completed several tours of Europe by the time he was 15. His music is again extremely evocative of Spain. The first piece of the three taken from Albeniz’s suite Iberia is aptly entitled Evocacion and echoes the Fandango and Jota which perfectly reflects the colours and spirit of his native land. The second piece describes the dance steps of the Zapateado and was inspired by the port of Cadiz – hence its title of El Puerto. I visited the port in January and can see how one could draw inspiration from it, busy and delightfully set in an impressive bay. The last of the three and the final piece in the set is a representation of the Corpus Christi procession in Seville in which a statue of the Virgin Mary is carried through the streets accompanied by marching bands and songs and staring. It gently eventually builds to an exciting climax.
Federico Mompou was, unlike Granados and Albeniz, extremely long-lived, dying at 94. The pianist on this disc, Sebastian Stanley, has written the extremely informative liner-notes and explains that Mompou was an early minimalist in that his melodies are delightfully simple in construction. They fuse various influences from Debussy for colour with sound, Ravel for a fascination with childhood, Satie who showed the young Mompou that simplicity was acceptable and finally drawing inspiration from Poulenc in respect of harmonics. All those influences are evident in the work represented here, the 12 Variations sur un thème de Chopin. My feeling is that while his music may be difficult to categorise this work sits very well along with several composers’ variations on themes by others. In any event it is a perfect treatment of Chopin’s A Major Prelude which ably dissects it into its constituent parts and shows how wonderful a piece Chopin wrote - not that we didn’t know that already! What higher praise can one give Mompou than that!
Sebastian Stanley was born in La Linea which shows his Spanish roots and, I think, results in a close love and affinity for Spanish music if this disc is anything to go by. It is always sobering to learn that so prodigious a talent stems from a desire to learn the piano following a concert he attended, aged 12 years old! When I say prodigious talent I mean it for this young pianist is a perfect exponent of this beautiful music, knowing when to be quiet in relevant passages but able to roar when necessary. I have really enjoyed reviewing this disc and will eagerly look out for more of them from this wonderfully sensitive young pianist. - Steve Arloff 2011